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Your Position: Home - Chemicals - Essential Art Tools every artist should have

Essential Art Tools every artist should have

Author: Geym

Mar. 07, 2024

Chemicals

Behind every great piece of art, there is a good set of art tools that enables the artist to achieve the end result they envisioned. Of course, practice is essential, but so is having the right art supplies to work with a particular technique.

Think about it, if you try to paint with watercolors over drawing paper, this won’t be able to absorb as much water, as a result, the paper (and the image) might warp and this might even affect how the pigment works. This might result in frustration if you are beginning to experiment with this technique, and this could all have been avoided by working with the right tools for artists.

To avoid these scenarios, we have created this list of essential art tools and supplies every artist should have, plus digital art tools they should have in their studio.

From brushes to canvas, every artist needs the right set of art tools to bring their ideas to life.

Basic Art Tools for Artists

If you are starting your path as an artist and want to make sure you have the right art tools, or you already have some experience and are ready to update or upgrade your art supplies, check this list of essential art tools.

Pencils

Pencils are the ultimate essential in your art tool kit. Why? They are your go-to tool for sketching, filling your art journal with ideas that might grow into an art piece, and of course, they might be the main tool if you want to do a pencil drawing.

What kind do you need? You can choose between traditional and mechanical pencils with different hardness: 9H (lightest) to 9B (darkest). The name tells you the type of line and effect you can achieve: hard and bold, light and soft, smearable or blendable, and even if it’s easy to erase or draw over it. 

If you are just getting started you might want to get the basics: an HB pencil for sketching, a 2B for drawing details and contrast, a 6B for shading, and a 9B for darker tones and blending.

Brushes

There is such a wide variety of brushes that finding the right set (or building up your own) can be a bit overwhelming. The first thing to choose is the type of bristle from natural (they are made out of animal hair) to synthetic bristles. A soft bristle provides a soft and smooth stroke while brushes with a harsher bristle create rough and thick layers of paints

The second step is choosing the right shape for the type of stroke, line, and texture you want. There are the essential brushes you need in your art toolset: 

-Flat brushes: these are very versatile; they can help cover large areas with flat strokes and also (when using their edges) create fine lines.

-Round brushes: provide a smooth stroke. They are available in both blunt and pointed tips, these last ones are ideal for creating details and thin lines.

-Filberts: this is a bit of a mix, it is a flat brush with a rounded tip offering a wide variety of marks and lines. 

-Fan: are looking to create a particular texture? This is your tool! A flat brush with a splayed bristle and a round tip. This type of brush is helpful for softening edges, blending, and creating effects.

-Wash brushes: these flat and wide brushes are ideal to cover large surfaces because they can hold a lot of paint. Ideal for big format paintings. 

Always remember to clean them properly to maintain the brush quality.

Paint

Acrylic, oil, gouache, graffiti, watercolors. When it comes to the type of paints artists have many options to choose from. It depends on what you want to create and the medium you’ll use.

Truth is, every artist has their favorite type and brand, each paint has different pigments and properties. If you are starting out, acrylic paint is a good place to begin, you can go for medium quality paint to experiment and then you can start discovering new materials and investing in them.

You don’t need all the paint tubes available: think about a few basics for your color palette and how you can mix them to achieve different hues. 

Paper

In order to question yourself “What should I paint?”, first you need something to paint on, that’s why you need to get yourself the right blank medium to make it happen. When choosing paper, you can go with either pads or journals. Acid-free sheets are preferred by many artists because it prevents deterioration and discoloration. 

Another characteristic to take into account is the weight of the paper, this term refers to its thickness. Lighter paper is thinner and might not resist wet media or using an eraser. Paper also has a texture created by its “teeth” or the little bumps you might find on its surface, which function is holding the pigments.

This is a list of different types of paper every artist should have in their studio:

-Drawing paper: this is the preferred option for finished art pieces, it’s a bit more expensive than other pads. Drawing paper is thicker (100lb/163g) with a medium tooth (bumps in the surface that create texture) and it’s ideal for dry media like pencils.

-Sketch paper: as its name implies, this thinner version of drawing paper is used for practicing and outlining future creations.

-Watercolor paper: this paper has cotton intertwined in its fibers which allows it to absorb more water. It’s thicker than drawing paper (140lb/300g) and has a bit of a texture.

-Mixed-media: this type of paper was created with the intention of providing artists with a surface that could withstand a variety of media techniques from watercolors, to markers and inks! 

-Print-making: this medium is very versatile and ideal for works that require a great number of inks like high-quality prints. Its surface is coated, preventing the pigments from sinking down to its fibers, this enables you to create reproductions of your design with bright colors. 

Palette

A palette is a surface an artist uses to hold and mix their paints. Palettes come in different sizes, shapes, and materials, from plastic to glass, metal, and ceramic. This tool should be light and easy to hold, making it easier to work without constant interruptions.

The palette should have enough space to put all the colors you are going to use plus extra space for mixing and trying colors. 

There is no need to make a great investment in a palette but think about something that was made to last.

Palette Knife

Palette knives are used to mix different paints in a palette to create different shades and hues, but they can also be used to apply paint over the paper directly, it provides a thicker and textured stroke of color ideal, they work well with acrylic paints. 

 Digital art tools are now essential for artists for both the creation and presentation of their artwork.

New art supplies: apps and digital tools for artists

Today tools for artists go beyond the traditional pencil and sketchbook, digital tools are not only redefining what we understand as essential tools for artists, they provide different solutions and opportunities for creators. 

For example, graphic or image editors are now an essential part of an artist’s work, they allow the creator to edit the image, add new layers to the design, and play around with the value and brightness of the image. And there are many alternatives in the market available.

Drawing tablets are the new canvas for many creators, its pressure sensitivity allows you to draw in detail with a pen tab, giving you the feel of a traditional sketchbook but with all the available tools of drawing software.

But what can you do when your artwork is ready to be shared with the world? Here is where digital art tools like ArtPlacer’s Room Mockups come in handy. With a few clicks, you can: upload your artworks, “drag and drop” them into a digital mockup of a room (everything from living rooms to halls), choose or create your own frame, adjust the brightness and shadow, and create an image ideal for your professional website or your social media profiles.

Now that you have a list of essentials it is time to get your first toolkit ready or upgrade the one you already have and start creating!

If you are interested in learning how to paint, it is essential you have at least a solid knowledge of the painting supplies available to you and how to use them. To assist you, I have prepared this guide to painting supplies which is set out as follows:

1. The Basic Supplies Are All You Need

Since painting originated, there have been vast improvements in the supplies used.

The great masters of painting did not have access to the advanced technology and quality of the supplies available today. They also did not have any secret supplies which allowed them to create such masterpieces. The masters used standard supplies (by current standards) with great skill.

If you are just starting out in painting, you should consider purchasing high-quality basic supplies and learn how to use them well.

There are many specialty tools that you should not even consider until you are more advanced, if at all. Do not fall into the trap that you must know how to use every material available.

2. Paint Brush

As a beginner, it can be very overwhelming deciding what paint brushes to purchase, so I would recommend purchasing a starter brush set as this will have all the essentials. You can then get a feel for what brushes you naturally prefer to use.

Paint brushes come in many different bristles and shapes. Some brushes are great all-rounders which you can use for most situations, whilst others are more of a specialty brush (such as the fan brush which is great for painting grass and trees).

Below is a summary of the different brush bristles and shapes:

Hog Bristle Brushes are stiff, springy and economical. These brushes are well suited for oil painting given their durability and stiffness.

Sable Bristle Brushes are not actually made from sable hair but rather from the tail of a species of mink (a member of the weasel family) found in North-Eastern China and Siberia. Sable bristle brushes are extremely fine, springy and hold lots of water, making them perfect for watercolor painting or fine oil / acrylic painting. Sable bristle brushes are expensive and I would not recommend starting with these brushes as a complete beginner due to the cost (unless you are rich, in which case you can do whatever you want).

Synthetic Brushes are economical and versatile options for all painting mediums. Most synthetic brush manufacturers will combine synthetic bristles with animal bristles to make for an economical yet reasonable quality paintbrush. However, please note cheap synthetic brushes are often not durable and will lose shape quickly.

Round brushes have a large belly and a long tapered end. They are extremely versatile and can be used for long, bold strokes and detail work.

A round brush made with sable hair comes to a very fine tip and can be used for delicate brushwork.

Filbert brushes are a personal favorite due to their versatility. It is somewhere between a round and flat brush. The curved tip allows for soft brushwork and blending. I use the filbert brush for any general brushwork.

Flat brushes have a flat tip and can be used to make long, consistent strokes or for line work. Flat brushes are great for blocking in solid shapes of color (i.e roads, fences, buildings, etc).

Fan brushes I find to be more of a specialty brush. They have a range of special uses, such as painting the leaves on trees or adding texture to grass or rocks. Fan brushes are essential for all landscape painters, but not so much for portrait painters.

2.1 Brush Sizes

There is no industry standard for brush sizes, so it is best to get familiar with one brand.

It is important to have a range of large, medium and small brushes.

I heard a saying once along the lines of “begin your painting with a broom and finish with a toothpick”. This simply means start a painting with your largest brush and, as you get more detailed, bring out the smaller brushes.

It is often recommended that you take the largest brush you feel comfortable with, then use one size up from that. The benefits of starting with large brushes include:

  • There will be variance in your painting between using large and smaller brushes.
  • Large brushes will ensure you focus on making economical and meaningful strokes. Every stroke will have influence with a large brush.
  • By using only small brushes, you tend to get caught up in needless details and miss the overall statement of your painting.
  • Large brushes are a great time saver, as you can quickly cover the canvas.

Personally, I use paint brushes as follows:

  • For staining the canvas, I use the largest flat or filbert brush I have.
  • For sketching the composition, I will use a medium-sized round brush (or sometimes even a fan brush if I want a very rough landscape sketch).
  • For blocking in general colors and shapes I use a medium / large filbert. Sometimes I will use a flat brush if the shapes are very angular.
  • For adding detail, I use smaller filbert and round brushes. I will also use the fan brush in certain situations, such as for painting leaves, grass or water.
  • For signing the painting and adding very fine details, I use a small/medium round brush.

3. Paint

There are three main types of paint – oil, acrylic and watercolor. For the purpose of this guide, we will just be discussing oil and acrylic paints. 

Oil and acrylic paint is essentially ground pigment bound together using some form of binder. 

When buying paint, you have to answer these questions:

  • What brand?
  • What quality – student or artist?
  • What colors?

The brand is not that important. Experiment with different brands and get a feel for which you prefer. 

The quality of the paint is a much more important decision. You generally have two choices – student or artist quality.

As a general rule, I suggest always using artist quality. It does make a noticeable difference. However, outside of this, you do not need to buy the most premium quality handmade paints of the finest pigments. You will probably not notice much difference between these very expensive premium paints and the standard artist-quality paints available at your art store. 

Student quality paints are generally made for schools and children, many of which may not even enjoy painting. 

The third question is what colors to buy. This is a tricky one, as there are so many fantastic colors to choose from. When starting out, you will probably want to grab every color to give you as many options as possible. However, once your knowledge of color theory and mixing develops, your color palette will probably reduce.

The bare minimum color palette you should have is the primary colors (yellow, red and blue) plus white. Black is optional, as you can mix a decent black by combining all three primary colors or blue and raw umber. 

Here is a versatile color palette that would be great for any beginner:

  • Cardinal red
  • Yellow Ochre
  • Cardinal Yellow
  • Viridian Green
  • Alizarin Crimson (Red)
  • Burnt Umber
  • Titanium White
  • Ivory Black

4. Canvas

Canvas is the most widely used material to paint on. When buying canvas you need to ensure the canvas has already been primed (unless you plan on priming it yourself). By primed, I mean ready to paint on.

You can prime a canvas using gesso, which is similar to a white acrylic paint, but it is generally thinner and dries harder.

The purpose of gesso is to stop paint from sinking into the canvas weave which would quickly deteriorate the canvas and provide a responsive surface to paint on.

There are many different types of primed canvas so I will try and keep this simple. If your budget allows, you should invest in artist-quality canvas, rather than student quality. The difference is noticeable.

You will have the choice of stretched canvas panels, which are generally ready to hang and canvas boards, which are inexpensive but not recommended for exhibition works.

Stretched canvas panels come as deep or thin-edged. Deep-edged gives a more modern appearance and is great if you do not intend on framing your painting. The thin-edged stretched canvas is more suitable if you plan on framing your painting.

In relation to what size of canvas you should paint on, that is really up to personal preference and the purpose of painting. For exhibition pieces, you may want to paint on a larger canvas so it has more impact. If you are just practicing, then a smaller canvas may be more suitable.

I wrote more about canvas in this post.

5. Easel

An easel is a wooden or metal stand used for holding a canvas, board or panel. There are many different types of easels, with varying levels of stability and mobility.

These are the different types of easels available:

A- Frame – a three-legged easel that is economical and portable, however, it lacks in stability.

H Frame Easel – your standard studio easel. The H Frame Easel is sturdy but lacks portability.

Giant Easel – basically a larger version of the H Frame Easel, used for large-scale studio works.

Convertible Easel – a versatile easel that converts between a standard upright easel and a horizontal, tabletop easel.

Single Mast Easel – the most basic and affordable type of easel. However, it is also the least stable.

Tabletop Easel – great if you prefer to work at a desk.

French Easel – the built-in storage makes the French Easel a favorable choice for plein air painters.

Display Easel – merely for ‘displaying’ your finished works. This easel is not suitable for painting on.

Children’s Easel – an easel specifically built for children.

The Artist in his Studio, Rembrandt, Circa 1626-28

6. Palette

The palette is what you use to hold and mix your paint. The palette comes in many different forms, including your traditional wooden palettes, disposable palettes and standing palettes.

If you are just starting out, I suggest you give the toned disposable palettes a try. They are economical and make cleaning up a breeze.

7. Solvent & Oil Medium (Oil Painters Only)

These supplies are for oil painters only.

Oil painting is a fine balance between solvent, which thins the paint and oil medium, which fattens the paint.

A general rule in oil painting is to paint fat over lean, which means the later layers of paint must contain more fat (oil) than the earlier layers. This is to avoid the paint cracking.

In practice, oil painters will often start with very thinned paint using lots of solvent. This first layer is almost nothing more than a wash of color. For each subsequent layer, more oil and less solvent is added to the paint.

8. Palette Knife – Not Just a Tool to Mix Paint

Most beginner artists think palette knives are just there to mix your paints. But they can be a great tool in your arsenal if used correctly. Some artists solely use palette knives to create rigid, broken color paintings. Palette knives are also much easier to clean and can really speed up painting times.

You can read more about using the palette knife in this blog post.

9. General Supplies

  • Large Cheap Paint Brushes – great for quickly covering a canvas without having to worry about damaging your brushes. 
  • Paper Towels / Rags – an absolute essential for cleaning your brush between strokes (this will make sure your colors are not muddied on your brush). 
  • Cups / Jars – for holding your water / solvent / oil medium. 
  • Tape – useful for covering areas on your canvas that you do not want to be painted (i.e if you want the edges on your thick-edged canvas to be crisp white, then you can place tape around the edges and remove it once finished painting). 
  • Your Creative Spirit! (Free)

Summary

Well, there you have it, a guide through all the basic painting supplies to get you started. Here are a few key things to note from this post:

  • Quality matters. If you are on a tight budget, then I would invest in high-quality brushes first, paint next then canvas. These materials are the best bang for your buck in terms of quality.
  • The master painters did not have any secret supplies for creating their masterpieces. They used basic supplies with great skill.
  • Save money on paint by learning color theory and how to mix your own colors. You can paint with as little as the three primary colors plus white if you wish.
  • Take care of your paintbrushes. They are fragile but will last much longer with good care.

Want to Learn More?

You might be interested in my Painting Academy course. I’ll walk you through the time-tested fundamentals of painting. It’s perfect for absolute beginner to intermediate painters.

Thanks for Reading!

I appreciate you taking the time to read this post and I hope you found it helpful. Feel free to share it with friends.

Happy painting!

Dan Scott

Draw Paint Academy

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